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When a Governor Preserved Part of His State's Heritage

Christopher Bond, a former Missouri governor and senator, rallied schoolchildren to save an important collection of drawings. Bond died on Tuesday at 86.

Former Missouri Gov. Bond at a press conference in Jefferson City, Mo.
Christopher Bond speaking in front of a Thomas Hart Benton mural in the Missouri state Capitol.
Charles L. Barnes
Fifty years ago, the St. Louis Mercantile Library wanted a new air conditioning system. To pay for it, the institution decided to sell its collection of more than 100 drawings by George Caleb Bingham.

Christopher Bond wasn’t having it. Bond was then the governor of Missouri and didn’t want to see such a significant collection of works by the 19th century painter sometimes called “The Missouri Artist” sold off (likely out of state).

Bond died on Tuesday in St. Louis. He was 86. He represented Missouri in the Senate as a Republican for 24 years after two separate stints as governor.

When the Bingham collection was at risk, Gov. Bond encouraged schoolchildren throughout the state to raise money toward purchasing the art. Schools that raised at least $250 would receive a Bingham print.

Children at more than 300 schools answered the call. Mainly by collecting spare change, they managed to raise about $40,000. Their success inspired legislators, businesses and private individuals to kick in more serious funds, eventually funding the purchase of the collection for more than $2 million.

A drawing by George Caleb Bingham of a man in a wide-brim hat smoking a pipe. George Caleb Bingham was an important artist in Missouri in the 19th century.
A drawing by George Caleb Bingham. (Courtesy of St. Louis Art Museum)
“Today, the drawings are held in The Bingham Trust, established for the benefit of ‘The People of Missouri,’ and will never be sold or separated,” according to the St. Louis Art Museum, which held a symposium about the purchase last fall. “The drawings constitute the largest holding of the artist’s work and have advanced understanding of his significant impact, both as an artist and a politician, on the history of American art and culture.”

After I learned about Bond’s intervention, at a Bingham exhibition a decade ago, it became a habit for me to ask governors and former governors if they had ever done something similar — something that wasn’t part of their larger political agenda but something that had an impact they could talk about with their grandchildren.

None have yet given me a satisfactory answer. So kudos to Kit Bond, as he was known, for using his bully pulpit in this particular way.
Alan Greenblatt is the editor of Governing. He can be found on Twitter at @AlanGreenblatt.